淺談機背按鈕對焦功能 / Back Button AF

去年和今年兩次北極之旅最大的收穫為攝取了不少的極地生態,包括鳥禽和北極熊等野生動物的影像,是非常難得的經驗,拍攝野生動物不同於風景、靜物或人像,使用的器材和相機的設定均有不少的差異,今天來談談有關利用相機背部自動對焦按鈕來拍攝的優點和方法。

I did 2 trips from last year to explore Svalbard and what I got most are a lot of images of the wild lives in the polar area, which includes birds and animals etc. specially the polar bears was a valuable experience, shooting wild lives, landscape, still objects or portrait are all different in the camera lens and setting, Now I would like to talk about the “back button auto focus (AF)” which is a very versatile way to do the wild lives shooting.

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Model 棚拍(Studio Portrait)_Fresa

此次棚拍為月例行人像拍攝,服裝請Model 自己選擇走黑白系列為主,打燈以色溫的變化為主軸,使背景呈現較冷峻的藍色,另外以閃燈與自然光的亮度平衡來表現窗外的自然光線。

This time is again my monthly portrait shooting, I ask model Fresa to prepare by herself the clothing, changing color temperature of the background and balancing the ambient are the 2 topics of the light setting.

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Model棚拍(Studio Portrait)_Catherine

此次棚拍的Model Catherine是首次合作,根據她的體態打燈的角度須使Model身體的比例修長,因此拍攝角度須有些上揚及側身面對鏡頭以陰影呈現身材的優雅。

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挪威北極熊尋覓歸來 / Come back from Svalbard

 

前一篇講到北緯78°的挪威Svalbard群島是一個景色優美自然生態豐富的地區,包括北極生物之王-北極熊、海豹、海象、馴鹿、狐狸、善知鳥、北極燕、海鳩、賊鷗、三趾鷗等,及一些植被、花草都是僅有的特殊景象,對挪威的北極地區有了些簡單的了解,在今年7月親身逛了趟後有了更進一步的感受。

I have been in Svalbard last year joined the Aurora Expedition’s Arctic cruise, started from Iceland through Greenland ended in Sptisbergen, it was a successful experience on the Arctic world, its wild life、landscape、floras etc. were very much impressed, but the pity was haven’t met the king of the wild life – polar bear.

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圖像的色彩管理

藝術是一種生活的形式,它能豐富我們的生活內函,促使在生活中追求美的慾望,攝影在藝術的領域裡是最能呈現這種慾望的方式,由於拍照可將影像停留在瞬間是最能表現出我們對美的追求,例如在風景或大自然的拍攝中追求光線、色彩的呈現,捉住大自然在光線照耀下每分每秒不同的景象,都是獨一無二可遇不可求的美,但在攝影藝術中使用的相機或攝影機等器具,在表現這種美景時卻是有它的局限性,無法如人類的眼睛能分辨較多明暗的細節,因此須要在後製上將此部份修飾還原出來,在後製中色彩的修飾和管理是整個後製過程中非常重要的一環。

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