Model 棚拍(Studio Portrait)_Gloria_1

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再度邀請Gloria當我的model,經過兩次的拍攝合作,有關服裝和model的pose等需求,雙方已能有較好的互動,她自己也準備許多合身的服裝,使我能感覺到model的專業,因為服裝合身對更能顯現體型的優美,對整個影像有加分的效果

This is the third time I asked again Gloria as my model, we can more naturally cooperate between clothing and posing, she prepared some clothing match her figure and we can get better results also with some props.

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1/160秒, (f/11), ISO100, 50mm (EF50mm f/1.8 STM)

  1. Model Gloria
  2. 相機(DSLR) Cannon 1Dx MK II
  3. 鏡頭(Lens)
    1. 50mm/f1.8
    2. 85mm/f1.2
    3. 70-200mm/f2.8
  4. 閃燈(Speed lights)Quantum flash t5dr
  5. 燈遙控觸發器(Speed light trigger)Pocketwizard Plus II
  6. 閃燈回電電池(Recycle battery): Quantum turbo sc battery
  7. 柔光罩(Softbox):
    1. Beauty dish (17″) + softbox
    2. Sunbounce Micro-Mini Sun-Bounce Silver/White Screen (2 x 3′)
    3.  Westcott Apollo Softbox with Recessed Front (28 x 28″) + Westcott 40 Degree Fabric Grid for the 28″ Apoll
    4. Westcott Rapid Box Strip – 10×24″ + Westcott Fabric Grid for Rapid Box Strip (10 x 24″)

         8.後製(Post processing): Lightroom CC, Photoshop CS5

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1/160秒, (f/11), ISO100, 50mm (EF50mm f/1.8 STM)
1/160秒, (f/11), ISO100, 50mm (EF50mm f/1.8 STM)

第一段:本段拍攝只使用一只棚燈加反光罩為主燈,另加一反光板調整在相機左方,調整model與背景間的距離使光線平均分部在model和背景上,採用深色背景構成低光調(Low Key)模式,以彩色紗巾覆蓋model頭部產生趣味,後製時使用Photoshop的”HighPass”功能提高亮部效果,部分影像以雙色調呈現。

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1/160秒, (f/11), ISO100, 50mm (EF50mm f/1.8 STM)

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1/160秒, (f/11), ISO100, 50mm (EF50mm f/1.8 STM)
1/160秒, (f/11), ISO100, 50mm (EF50mm f/1.8 STM)

First section: For this section using one simple studio strobe plus 7″reflector as the main light, and one silver reflector set at the left of the camera as fill, adjusting the space between model and the background to share the lighting of the model and background, a low key setting with the deep grey background fabric, the prop of the color veil increasing the mood, in post processing, take the function “High Pass” for enhancing the contrast and good for some images of split toning.

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1/60秒, (f/11), ISO200, 85mm (EF85mm f/1.2L II USM)

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1/60秒, (f/11), ISO200, 85mm (EF85mm f/1.2L II USM)
1/60秒, (f/11), ISO200, 85mm (EF85mm f/1.2L II USM)
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1/60秒, (f/11), ISO200, 85mm (EF85mm f/1.2L II USM)
1/60秒, (f/11), ISO200, 85mm (EF85mm f/1.2L II USM)

第二段:此段使用一塊玻璃為道具營造model在水滴玻璃後的效果,主燈為一棚燈加柔光罩及蜂巢網,使光線聚焦在model並突出於背景,另外書本為道具增加趣味,整個拍攝設計的想法是取自英國攝影師Gavin Hoey。

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1/60秒, (f/11), ISO200, 85mm (EF85mm f/1.2L II USM)

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1/60秒, (f/11), ISO200, 85mm (EF85mm f/1.2L II USM)
1/60秒, (f/11), ISO200, 85mm (EF85mm f/1.2L II USM)

Second section: Using a glass window as the prop to get an effect of a raining day portrait a strobe set with a medium soft box plus egg grids as the main light for directing the light to the model a book prop is for the fun enhancement the idea is coming from the noted English photographer Gavin Hoey.

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1/160秒, (f/9), ISO200, 100mm (EF70-200mm f/2.8L IS USM)

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1/160秒, (f/9), ISO200, 70mm (EF70-200mm f/2.8L IS USM)
1/160秒, (f/9), ISO200, 100mm (EF70-200mm f/2.8L IS USM)

第三段:此段是採高光調 (High Key )打光共使用3只棚燈和1只閃燈,其中用2只200瓦棚燈為背景燈,1只750瓦棚燈為主燈,1只閃燈為輔助燈去除model眼睛及鼻下的陰影,背景燈加銀色柔光閃傘,主燈加雷達盤及柔光罩,閃燈則加小型條狀柔光罩及蜂巢網,主燈及背景燈比例是1:1分別為f/9,輔助燈減少1段為f/6.3,煙霧機噴霧增加趣味,幾張影像後製時與煙火影像合成使model能與背景相融合。

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1/160秒, (f/9), ISO200, 100mm (EF70-200mm f/2.8L IS USM)

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1/160秒, (f/9), ISO200, 70mm (EF70-200mm f/2.8L IS USM)
1/160秒, (f/9), ISO200, 70mm (EF70-200mm f/2.8L IS USM)
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1/160秒, (f/9), ISO200, 70mm (EF70-200mm f/2.8L IS USM)

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1/160秒, (f/9), ISO200, 78mm (EF70-200mm f/2.8L IS USM)
1/160秒, (f/9), ISO200, 70mm (EF70-200mm f/2.8L IS USM)

Third section: Working this section as a high key portrait, using total 4 lights as the lighting set up, among them 2 strobes 200 watt set as the background light, 1 strobe 750 watt is the main light at just high in front of the model, 1 flash set under the main light as the fill for removing the shadow under model’s eyes and nose, each background light has an umbrella for reflecting soft light, a beauty dish and soft fabric are equipped to the main light, as to the fill which is covering a strip light box and egg grid, light ratio for main and background is 1:1 as f/9 and the fill is 1 stop less as f/6.3, the smoke machine offers the fun purpose, some composite image use them in the post processing work flow.